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2024 Season

"This is not the family I signed up for..."

-Dallas

Sister Cities

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Coming this February

TABLE MANNERS

By Alan Ayckbourn

Directed By Ward Kay

3M, 3W

Winner of the 2009 Tony Award for best revival of a Play - A hilarious entanglement between three siblings and their respective partners/suitors over the course of a weekend. Part of the Norman Conquests Trilogy.

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The Glass

Menagerie

By Tennessee Williams

Directed By Hannah Ruth Wellons

2W, 1M

(The role of Tom has been precast)

The Classic Memory Play, recanted by the narrator, Tom, detailing the struggles of young adulthood, living with his introverted sister and overbearing mother in 1930's St. Louis.

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The Effect of

Gamma Rays on

Man-in-the-Moon

Marigolds

By Paul Zindel

Directed By Jessie Roberts

4W

(The role of Beatrice has been precast)

Winner of the 1971 Pulitzer Prize for Drama, the play focuses on a dysfunctional family consisting of a Mother and her two Daughters. Tillie, the youngest daughter, constantly thwarted by her Mother, and bullied at school, seeks refuge by immersing her life in science.

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Sister Cities

By Colette Freedman

Directed By Sarah Baczewski

5W

"...The story of four estranged sisters who reunite for their mother’s alleged suicide. Artistic, self-indulgent matriarch Mary, has married four different men and named her daughters after the location of their births... When Mary allegedly kills herself, her four daughters return home and put together the pieces of their fractured lives."

-hitplays.com

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The Ghosts

of US

By Rebecca Gorman O'Neill

Directed By Rob Gorman

2M, 2W

Emma and Jackson are getting a divorce. To fulfill the terms of an ill-conceived prenuptial agreement, they must spend 36 hours together, no modern conveniences or distractions, before their divorce can be legally filed... They each bring backup: Jackson’s best friend Aiden, and Emma’s sister, Sophia...
As alliances shift, old grudges and long-held secrets emerge, until each member of the group is laid metaphorically bare before the others, revealing who is whole and who is broken, who holds the moral high ground, and who actually de-railed long ago."

- Playwright Rebecca Gorman O'Neill (via New Play Exchange)

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