
2024 Season
"This is not the family I signed up for..."
-Dallas
Sister Cities


Coming this February
TABLE MANNERS
By Alan Ayckbourn
Directed By Ward Kay
3M, 3W
Winner of the 2009 Tony Award for best revival of a Play - A hilarious entanglement between three siblings and their respective partners/suitors over the course of a weekend. Part of the Norman Conquests Trilogy.


The Glass
Menagerie
By Tennessee Williams
Directed By Hannah Ruth Wellons
2W, 1M
(The role of Tom has been precast)
The Classic Memory Play, recanted by the narrator, Tom, detailing the struggles of young adulthood, living with his introverted sister and overbearing mother in 1930's St. Louis.


The Effect of
Gamma Rays on
Man-in-the-Moon
Marigolds
By Paul Zindel
Directed By Jessie Roberts
4W
(The role of Beatrice has been precast)
Winner of the 1971 Pulitzer Prize for Drama, the play focuses on a dysfunctional family consisting of a Mother and her two Daughters. Tillie, the youngest daughter, constantly thwarted by her Mother, and bullied at school, seeks refuge by immersing her life in science.


Sister Cities
By Colette Freedman
Directed By Sarah Baczewski
5W
"...The story of four estranged sisters who reunite for their mother’s alleged suicide. Artistic, self-indulgent matriarch Mary, has married four different men and named her daughters after the location of their births... When Mary allegedly kills herself, her four daughters return home and put together the pieces of their fractured lives."
-hitplays.com


The Ghosts
of US
By Rebecca Gorman O'Neill
Directed By Rob Gorman
2M, 2W
Emma and Jackson are getting a divorce. To fulfill the terms of an ill-conceived prenuptial agreement, they must spend 36 hours together, no modern conveniences or distractions, before their divorce can be legally filed... They each bring backup: Jackson’s best friend Aiden, and Emma’s sister, Sophia...
As alliances shift, old grudges and long-held secrets emerge, until each member of the group is laid metaphorically bare before the others, revealing who is whole and who is broken, who holds the moral high ground, and who actually de-railed long ago."
- Playwright Rebecca Gorman O'Neill (via New Play Exchange)